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The Story of St. Thomas Church: A Rise From the Ashes

The story of St. Thomas church at 1772 Church Street, NW began in 1886 when Reverend John Abel Aspinwall moved to Washington, DC.  Aspinwall was the son of William Aspinwall,  president of the Pacific Mail Steamship Company who had built the Panama Railroad across Panama.  Due to poor health, John Aspinwall resigned as the rector of a church in Bay Ridge, Long Island, where he had been serving as rector for 21 years.   After a three-year rest, and perhaps in search of another wealthy congregation, Aspinwall came to Washington, purchasing a mansion at 17 Dupont Circle.  Upon his arrival, he became active in the formation of St. Thomas Parish and served as its first rector.  The parish’s first congregation began meeting in 1890 with a mere handful of people, worshipping in the abandoned Holy Cross Episcopal Church on Dupont Circle (now the site of the Sulgrave Club today at 1801 Massachusetts Avenue).  That parish had closed due to financial troubles a few years before (most of the weal

Architect Stanford White and the "Trial of the Century"

Stanford White was a name partner in the architectural firm of McKim, Mead & White, a preeminent firm of the Beaux-Arts architectural style.  White specialized in designing private homes for the rich, and various public, institutional, and religious buildings.  White was not only known as an architect, he was a decorator and designer of art objects, an art entrepreneur, and private collector.  While on buying trips, he was known to ship vast loads of architectural and decorative treasures back to the United States in anticipation of new clients, filling his Gramercy Park, New York estate as well his Long Island country estate, Box Hill.  

Sanford White c. 1892.   
Photo: Wikimedia Commons

Adams Memorial in Rock
Creek Cemetery

White designed and decorated Fifth Avenue mansions for the Astors, the Vanderbilts, and other high society families. His Washington Square Arch still stands in Washington Square Park.  He also designed club houses, which were focal points of New York society: the Century, Metropolitan, Players, Lambs, Colony and Harmonie clubs.  The Patterson mansion in DC, while designed as a single family home, ultimately became a club house as well.

In Washington, DC, in addition to the homes of Nellie Patterson and Thomas Nelson Page, White is also known for the Adams Memorial in Rock Creek Cemetery, Washington, D.C. that serves as a grave marker for Marian Hooper Adams and Henry Adams.  It features a cast bronze allegorical sculpture by Augustus Saint-Gaudens.  Saint-Gaudens's sculpture is seated against a granite block which forms one side of a hexagonal plaza designed by White.  

Evelyn Nesbit. 

Photo: Otto Sarony, 1902
By the 1890s, Stanford White had become a very prominent and notorious personality in New York social circles, much to the dismay of his more staid architectural firm partners, ultimately meeting an untimely and public death in 1906.  Only three years after completing the Patterson house, White was shot dead at Madison Square Garden in New York by Harry Kendall Thaw, the husband of  Evelyn Nesbit, a popular American chorus girl , with whom White had earlier had an affair.  William Randolph Hearst played up the murder in his newspapers, with it becoming known as the "Trial of the Century."  The story became the basis of the 1955 movie The Girl in the Red Velvet Swing, starring Ray Milland as Stanford White and Joan Collins as Evelyn Nesbit Thaw.

Ceiling bought by Greenley
for Edson Bradley.
After his murder, White's extensive collections were auctioned off.  Architect Howard Greenley (1874–1963) purchased a large-scale antique Italian painted ceiling that White had bought from the Italian dealer Stefano Bardini, which he had installed in the entrance hall of the Dupont Circle home of whiskey distiller Edson Bradley.  That ceiling, along with the other interior contents of the Dupont Circle house, was moved to the Bradley's new home Seaview Terrace in Newport, Rhode Island.

Front page of the June 26, 1906 edition of the New York American announcing the murder of 
Stanford White and what would be dubbed the “Trial of the Century.”  Photo: Wikimedia Commons


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Copyright (c) 2020.  Stephen A. Hansen.  All Rights Reserved.

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